In the clouds
all the drops join hands;
the static and electric frictions
rub each other
in all the wrong ways
building to a split
second’s crack and gush,
to jettison the dissonance
and regret it in the hush.
Does the man with the flash bulb at the big game know
that televisions in everyplace imaginable flare noticeably
every time his finger moves
uninterested rooms fill with his lights
unwilling eyes snap curious and vexed
towards the source of this blinding instant
without an understanding of the cause?
His finger steers the eyes of the world
our cunning turns of phrase grow into war
and history is lousy with our careless left-unsaids.
A poem about post-modern epistemology which becomes more ironic the more you consider not only its philosophical claims, but the nature of its framework and the fact that it is scarcely a poem at all and does not really want to be. The poem will be followed by a separate discourse on the poem itself:
maybe the things we cannot know
we were not meant to question.
maybe the universe was not designed
for those who want to know things.
Notice the uncertainty with which the attempt to resolve dissonance is made. The very nature of the poem is a balance between what can be known and what can be lived in the absence of knowledge. Your experience of the words is clouded by the large sections of text surrounding what is perceived to be the central, and therefore most important, text. If any conclusions can be drawn, they can also be questioned. This is unimportant. The lack of rhyme is indicative of something, but the author felt it unnecessary to tell you what it was. Be aware that not everything in the poem is purposefully chosen. Many things happened at random, but were not deemed important enough to control. This is the nature of design.
Black Whole
I long for the day when your gravity has become so strong
that all my space
and all my time
are curved around you in a gentle line
ready to be consumed into a point of infinite density.
And if that’s our intimate destiny,
I rejoice!
But my lungs collapse
and my weakling voice
will always crack
when I try to shout “I love you” back
my dark energy mounts in counter-attack
or perhaps
the gravity that’s simulated
by my acceleration
fools me into thinking
I’m falling further from you
and the panic is the proof
that I’m safely in your pull.
But my ability to disengage
to see both sides of every page
to explain my pain in too many ways
is the thing that terrifies me most
if having the answer
is the answer
then I’m toast.
But if wanting
what you want
is really what you want
and feeling what is good
will lead me to your heart
then there may be some hope for me
if you can filter through my doubts
reach in the rubble and pull me out.
Through all this twisting and turning in cosmic circles I reach
the point:
I need you.
To compress my expanding, receding view into
the point:
I need you
To cross the event horizon and pull me through.
Dear everyone:
I love you
Feel good with me.
Just the fact that you are living brings me joy
and tenfold so when you are next to me.
Between us all the ice is thick
the thin layers of skin conceal
oceans of distance we cannot traverse
isolation we cannot surmount
glacial drifts of bitterness
and continents of paralysis.
Between us all the ice is thick
the cracks ice over twice as true
scars upon the skin of the soul
to remind us what vulnerable
caring men and women are destined to become.
Between us all the ice is thick
my eyes with yours, my stomach screams
“i want to love!” but think of how
the thousand tiny fractures
will splinter, fill and freeze anew;
The ice is thick between us two.
Is there a later we can lean on
if today is a but a sinking thrill,
a panic and a whisper:
“death is endless, death is near”
Is there eternity to crash through
a love we all must fall to
a bottom to our darkness
and a ceiling to our fear?
What a dump
The words tossed like heavy polyester bags on the tile floor
cluttered with lies and twisted truths:
leftovers of the panic years
brought back in a moment
by a beautiful shining face he passed
a thrilling, passing, soon-missed chance
to find and chase and win.
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While the sense is lost, the feeling sticks like smell:
that what we have we cannot love and what we love we cannot hold.
He sees glories the likes of which he never hopes to own.
Just because he never has.
It does not mitigate the sense of loss.
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All he has
lies
like death on the kitchen floor
he passes by
to retire
with a gaping bang
he shuts the door
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